Saturday, October 21, 2017

Aval oru thodar kathai






கே. பாலச்சந்தரின்  இந்த காவியம் புதுமைப் பெண்ணைச் சித்தரித்தது. சமுதாயம் அரசாட்சி செய்யும் பெண்ணை புதுமையாய் கண்டது.

கூர்ந்து கவனித்தால் அவளை முரட்டுப் பெண்ணாய் சித்தரித்தது. 

மிகச்சிறந்த தத்துவப் பாடலை தத்துவக் குரலில் யேசுதாஸ் பாடினார்.  அந்தப் பாடல்  காட்சிகள் பெண்ணை  ஆணவமும் கர்வமும் கொண்டவளாக  காட்டியன . ஆண்  பாவம் என்ற உணர்வை உருவாக்கின. ஞானப் பெண்ணே  என்று அந்தப் பாடல் கிண்டல் அடித்தது. வாழ்வின் பொருள் பெண்ணிற்கு தெரியாதென்று நகைச்சுவை உணர்வூடு எடுத்துக்கூரியது.  

பெண் லிப்ஸ்டிக் போடுவது, ஸ்டைல் பண்ணிக்கொள்வது, ஸ்லீவ்லஸ் அணிவது, தொடர்ந்து முறைப்பது, இரும்பு மனம் கொண்டவள் என்கின்ற முக பாவனை ,  கத்திப் பேசுவது, கோபத்தில் நிலையிழப்பது      போன்ற காட்சிகள் குளோஸ் அப் காட்சிகளாய் வந்தன. இவை அவளை  குடும்பத்திற்கும் சமுதாயத்திற்கும் எதிர்மறையாய்  தோற்றுவித்தன.

படித்த பெண்ணை அடங்காபிடாரியாக இந்தப் படம் சித்தரித்தது. உணர்ச்சிக்குவியலின் முழு அடையாளமாக அவள் வந்தாள் . தத்துவமும்  நகைச்சுவை  உணர்வும் ஆணிற்கும்,  உணர்ச்சியும் கோபமும்   பெண்ணிற்கும் தரப்படடன.

மேலும்,  அவள் தியாகத்தின் சின்னமாக  சித்தரிக்கப்பட்டு  கதா நாயகியாக உயர்த்தப்படடாள். இது ஒருவிதமான கழிவிரக்கத்தையே அன்று படித்த பெண் மேல் உருவாக்கியது. பெண் ஏமாந்தவளாகவே காண்பிக்கப்படடாள்.  அவள் தியாகம் ஒரு பெருந்தன்மையை காண்பிக்காதபடிக்கு அவள் ஏக்கமான முகம்  குளோஸ் அப்பில் காண்பிக்கப்பட்டது .

சிவாஜி கணேசன் தியாகத்தின் சின்னமாக எத்தனையோ படங்களில் காண்பிக்கப்பட்டிருக்கிறார்.  அந்த முக பாவனைகள் சுஜாதாவிற்கு  தரப்படவில்லை. 

இப்படத்தில்  குடும்பத்தை காப்பாற்றவே பெண் அலுவலகம் செல்கிறாள். அதுவும் ஒருவித எரிச்சலோடு செல்கிறாள். அவள் அறிவாளியாகவோ  சமூக சிந்தனை உள்ளவளாகவோ காண்பிக்கப் படவில்லை.

தமிழக  மக்கள் மனதில் இது ஒரு நிரந்தர பாதிப்பை ஏற்படுத்தியது.  இன்று வரையிலும் பெண் தன் வேலையை ரசித்து, குடும்பத்தையும் நேசித்து வாழ்பவளாக தமிழ் கற்பனை அமையவில்லை. 

ஆனால் நிஜ வாழ்க்கையில் ஆயிரம் ஆயிரம் பெண்கள் தன் தொழிலையும் நேசித்து குடும்பத்தையும் நேசித்து வாழ்கின்றனர். பெரிய காரியங்களை செய்கின்றனர். சமுதாயத்தையும் குடும்பத்தையும் வழி நடத்துகின்றனர்.

இவர்கள் கற்பனைக்  காட்சிகளிலும்   காண்பிக்கப் படவேண்டும். உண்மையான இலக்கியம் அப்போது தான் பிறக்கும்.


Thursday, June 22, 2017

communication skills and self awareness

How does self awareness help in communication?

The knowledge of ourselves gives us more confidence, as we are a little sure of our reactions to others. For example, if some one in the team is talking about a particular issue, and you know you don't like it, you can manage the situation better either by steering the conversation away, or by avoiding strong comments. If the other person happens to be your client, you can continue the rapport with him/her in spite of having differences of opinion.

Professional communication involves moments where we have to work along with people who think differently from us. Self awareness will give us the ability to control the negotiation with others, keeping passionate emotions in the periphery. 

In contemporary democratic political / managerial / organisational  setup, non-passionate communication skills are required for the smooth functioning of corporate sectors.  The person who is aware of his thoughts will be able to convey ideas with more clarity, keeping in mind that other people think differently. 

Tuesday, June 20, 2017

Self Awareness

Self awareness is defined generally as conscious knowledge of one's own character and feelings. 

To a  large extent it is quite true.  At the same time, the concept of 'character' also has to include other aspects of human existence - gender, caste, race, religion, region, linguistic affiliation, education, occupation, marital status etc.

I have noticed  people reacting to all these above mentioned elements in  work places, or clubs or in any other general gathering.

I am putting across a few questions that arise in human minds in social situations:

     Why does this man cry?

     Why does this woman talk so loudly and fast?

     This person must be from  that community.

     I am scared of  that man. He is huge.

     Listen to the language she/he speaks.

     She/he is so fair and beautiful/handsome.

Self awareness, to me, would be becoming aware of these emotional responses and thoughts springing from our hearts and brains when we negotiate with other humans. It does not involve categorisation of  our human character into good and bad. Instead, it is the ability to observe ourselves in a detached and objective manner. 

Self awareness, therefore, cannot be an end product. As we keep learning and changing every moment, self awareness is an infinite, endless process.

In that case, what are the material benefits of cultivating self awareness?

Leadership, at all levels - in the family, in the office, in the country - will perform better if it is empowered with self awareness. It lends a certain non - quantifiable charm to the person who practices the process of detached observation of one's self. It leads to the development of a certain sense of humour, it lends a  certain mild benign attitude and helps tremendously in rapport building.

After all, we have nothing to lose with  developing the ability for self awareness, but will lead us to peace slowly, but steadily.


Friday, May 5, 2017

Midsummer Night's Dream - selected lines for acting

A MIDSUMMER NIGHT’S DREAM – lines chosen from the original version – first draft – 5th May, 2017

Narrator: this play tells us the stories of many couples from the city of Athens. Theseus and Hippolyta, Oberon and Titania, Hermia and Demetrius and Helena and Lysander. The play is like a Hollywood musical full of songs and dances celebrating love.

THESEUS
Now, fair Hippolyta, our nuptial hour
Draws on apace. Four happy days bring in
Another moon
HIPPOLYTA
Four days will quickly steep themselves in night. [enter Egeus, Hermia, Demetrius]
THESEUS
Good Egeus. What’s the news with thee?

Narrator: Egeus brings his daughter Hermia and complains to Theseus that she refuses to marry the man he has chosen for her.

EGEUS
Full of vexation come I with complaint
Against my child, my daughter Hermia.
This man hath bewitched the bosom of my child. {Lysander is brought forward by Egeus]
As she is mine, I may dispose of her—
Which shall be either to this gentleman [he shows Demetrius to the audience]
Or to her death—according to our law
THESEUS
What say you, Hermia? Be advised, fair maid
HERMIA
I do entreat your grace to pardon me.
I refuse to wed Demetrius
THESEUS
If you yield not to your father’s choice,
You can endure the livery of a nun
HERMIA
So will I grow, so live, so die, my lord
THESEUS
Either prepare to die
Or else to wed Demetrius [All except Lysander and Hermia  leave the stage]
LYSANDER
If thou lovest me then,
Steal forth thy father’s house tomorrow night
To the wood, a league without the town
HERMIA
Tomorrow truly will I meet with thee. [enter Helena]
HELENA
O, teach me how you look and with what art
You sway the motion of Demetrius' heart.
HERMIA
I give him curses, yet he gives me love.
The more I hate, the more he follows me.
HELENA
The more I love, the more he hateth me.
HERMIA
Take comfort. He no more shall see my face.
Lysander and myself will fly this place. {exit Hermia and Lysander]
HELENA
But what of that? Demetrius thinks not so.
He will not know what all but he do know.
Things base and vile, holding no quantity,
Love can transpose to form and dignity.
Love looks not with the eyes but with the mind.
And therefore is winged Cupid painted blind.

Narrator:  A group of friends – Bottom, Quince and others are planning to put up a drama based on the  love story of Pyramus and Thisbe for the wedding of Theseus and Hippolyta. Bottom is very excited about acting. He plays the role of the hero, Pyramus. He also acts as a lion.
Meanwhile, the king of fairies, Oberon and his queen Titania are here to celebrate the wedding. They are fighting over a small boy called Puck.

OBERON
Why should Titania cross her Oberon?
I do but beg a little changeling boy
TITANIA
The Fairyland buys not the child of me. [exit Titania. Enter Puck]
PUCK
I’ll put a girdle round about the Earth
In forty minutes.
OBERON
Fetch me that flower. Love in idleness.
The juice of it on sleeping eyelids
Will make  man or woman madly dote
Upon the next live creature that it sees
I’ll drop it on Titania’s  eyes when she is asleep.
When she wakes up—
Be it on lion, bear, or wolf, or bull,
She shall pursue it with the soul of love.
PUCK
Fear not, my lord. Your servant shall do so.
Narrator: Lysander and Hermia run away to a forest. Helena tells this to Demetrius. He follows the lovers. Helena also goes to the forest. Now all the 4 lovers are in the forest. Helena fights with Demetrius for not loving him.
DEMETRIUS
Tempt not too much the hatred of my spirit.
For I am sick when I do look on thee
HELENA
And I am sick when I look not on you.[ exit Helena and Demetrius]
Narrator: The fairy king Oberon watches this. He calls Puck and asks him to pour the love juice on the eyes of Demetrius so that he will love Helena.
OBERON
Fare thee well, nymph. Ere he do leave this grove,
Thou shalt fly him and he shall seek thy love. [enter Puck]
Hast thou the flower there?
PUCK
Ay, there it is.
OBERON
There sleeps Titania sometime of the night,
And with the juice of this I’ll streak her eyes.[ he gives puck some of the flowers]
A sweet Athenian lady is in love
With a disdainful youth. Anoint his eyes.
But do it when the next thing he espies
May be the lady.
PUCK
   Fear not, my lord. Your servant shall do so.[exit Puck, enter Titania]


TITANIA
Come now, a roundel and a fairy song.
Sing me now asleep.
Then to your offices and let me rest. [ Titania falls asleep]

OBERON
Wake when some vile thing is near.[ exit Oberon, enter Lysander and hermia]
LYSANDER
We’ll rest us, Hermia, if you think it good.
And tarry for the comfort of the day.

HERMIA
With half that wish the wisher’s eyes be pressed!     [ Hermia and Lysander sleep. Enter Puck]
PUCK
            Who is here?
Weeds of Athens he doth wear.
This is he, my master said,
Despisèd the Athenian maid.[ Squeezes flower juice on Lysander’s eyelids]
[Exit Puck, enter Helena and Demetrius running]
HELENA
Stay, though thou kill me, sweet Demetrius.
DEMETRIUS
I charge thee, hence, and do not haunt me thus.
HELENA
O, wilt thou darkling leave me? Do not so.
DEMETRIUS
Stay, on thy peril. I alone will go.[ exit Demetrius]
HELENA
             Happy is Hermia, wheresoe'er she lies,
I am as ugly as a bear,[ Sees Lysander]
But who is here? Lysander, on the ground?
Lysander, if you live, good sir, awake.
LYSANDER
(waking) And run through fire I will for thy sweet sake.
Where is Demetrius? Oh, how fit a word
Is that vile name to perish on my sword!
HELENA
Do not say so, Lysander. Say not so.
Yet Hermia still loves you. Then be content.
LYSANDER
Content with Hermia? No.
Not Hermia but Helena I love.
HELENA
Is ’t not enough, is ’t not enough, young man,
That I did never, no, nor never can,
Deserve a sweet look from Demetrius' eye,
But you must flout my insufficiency?
But fare you well.[exit Helena]
LYSANDER
She sees not Hermia.—Hermia, sleep thou there.
And never mayst thou come Lysander near![exit Lysander]
HERMIA
[waking up] Lysander!—What, removed?—Lysander, lord!—
What, out of hearing, gone? No sound, no word?—
Alack, where are you?[ Hermia exits]

Narrator:[ Titania sleeps. Enter the clowns Bottom, Quince, Flute, Snug Snout and Starveling]

BOTTOM
Are we all met?
QUINCE
Pat, pat. And here’s a marvelous convenient place for our rehearsal.
BOTTOM
There are things in this comedy of Pyramus and Thisbe that will never please.
STARVELING
I believe we must leave the killing out, when all is done.[ enter puck unseen]
PUCK
What hempen homespuns have we swaggering here,
So near the cradle of the fairy queen?

BOTTOM
And by and by I will to thee appear.
But hark, a voice!
Stay thou but here awhile,[ exit Bottom, exit Puck]
QUINCE
Ay, marry, must you. For you must understand he goes but to see a noise that he heard, and is to come again.
FLUTE
Oh. (as Thisbe) As true as truest horse that yet would never tire.
Narrator:

Enter BOTTOM, with an ass’s head, and PUCK
BOTTOM
(as PYRAMUS) If I were fair, Thisbe, I were only thine.
QUINCE
Oh, monstrous! Oh, strange! We are haunted. Pray, masters! Fly, masters! Help![ exit Quince. Flute, Snug, Snout and Starveling]
PUCK
I’ll follow you. I’ll lead you about a round [exit Puck]
BOTTOM
Why do they run away?
TITANIA
(waking) What angel wakes me from my flowery bed?
BOTTOM
[singing]
TITANIA
On the first view to say, to swear, I love thee
BOTTOM
Methinks, mistress, you should have little reason for that.
Nay, I can gleek upon occasion.
TITANIA
Thou art as wise as thou art beautiful.[ exit Titania and Bottom, enter Oberon]
OBERON
I wonder if Titania be awaked.
Then, what it was that next came in her eye,{ enter puck]
PUCK
My mistress with a monster is in love.
When in that moment so it came to pass,
Titania waked and straightway loved an ass
OBERON
This falls out better than I could devise.
But hast thou yet latched the Athenian’s eyes
With the love juice, as I did bid thee do?
PUCK
I took him sleeping—that is finished too—
And the Athenian woman by his side,
That, when he waked, of force she must be eyed.[ ENTER DEMITRIUS AND HERMIA]
OBERON
(aside to PUCK) Stand close. This is the same Athenian.

PUCK
(aside to OBERON) This is the woman, but not this the man.
HERMIA
What’s this to my Lysander? Where is he?
Ah, good Demetrius, wilt thou give him me?
DEMETRIUS
An if I could, what should I get therefore?
HERMIA
A privilege never to see me more.{ exit Hermia]

Narrator: Demetrius decides to stay there for a while and falls asleep. Oberon squeezes the flower juice into Demetrius eyes
[ enter Lysander and Helena]
LYSANDER
Demetrius loves her, and he loves not you.
DEMETRIUS
[walking] Lysander, keep thy Hermia. I will none.
If e'er I loved her, all that love is gone.
LYSANDER
Helen, it is not so[ enter Hermia]
HERMIA
why unkindly didst thou leave me so?[ to Lysander}
LYSANDER
Why seek’st thou me? Could not this make thee know
The hate I bear thee made me leave thee so?
HERMIA
You speak not as you think. It cannot be.
LYSANDER
Stay, gentle Helena. Hear my excuse.
My love, my life, my soul, fair Helena!
HELENA
Oh, excellent!
HERMIA
(to LYSANDER)
Sweet, do not scorn her so.
DEMETRIUS
I say I love thee more than he can do.[ Helena, Hermia, Lysander, Demetrius exit]
Narrator: Helena and Hermia are confused whether this is for real or not meanwhile Oberon blames Puck for this confusion.
OBERON
(to Puck) This is thy negligence. Still thou mistakest,
[ gives Puck another flower] crush this herb into Lysander’s eye,
Whose liquor hath this virtuous property
To take from thence all error with his might
I’ll to my queen and beg her Indian boy.
And then I will her charmèd eye release
From monster’s view, and all things shall be peace.[ exit Oberon]

Narrator: Puck as Lysander brings Demetrius and as Demetrius Lysander and puts them to sleep. Helena  and Hermia who are also tired falls down asleep. Bottom and Titania also fall asleep.
[ enter Oberon and Puck]

OBERON
May all to Athens back again repair
And think no more of this night’s accidents
But first I will release the fairy queen.[ squeezing the flowers juice into her eyes]
Now, my Titania, wake you, my sweet queen.
TITANIA
(waking) My Oberon, what visions have I seen!
OBERON
There lies your love.
PUCK
(taking the ass’s head off BOTTOM)
Now when thou wakest, with thine own fool’s eyes peep.

[enter EGEUS and THESEUS ]
EGEUS
My lord, this is my daughter here asleep.
And this, Lysander. This Demetrius is.
This Helena, old Nedar’s Helena.
I wonder of their being here together.
THESEUS
Is not this the day
That Hermia should give answer of her choice?
EGEUS
It is, my lord.
DEMETRIUS
The object and the pleasure of mine eye,
Is only Helena. To her, my lord,
Was I betrothed ere I saw Hermia.
HELENA
   And I have found Demetrius like a jewel,
Mine own, and not mine own.

THESEUS
Joy, gentle friends! Joy and fresh days of love
Accompany your hearts!
Come now, what masques, what dances shall we have

Come on Egeus, accept these lovers and be merry.

Narrator: Bottom’s group is acting a play for the wedding of Thesues and Hippolyta.  BOTTOM as PYRAMUS, and FLUTE as THISBE, and SNOUT as WALL, and STARVELING as MOONSHINE, and SNUG as LION.

This is also a love story. It is very comic. Every one laughs.

HIPPOLYTA
This is the silliest stuff that ever I heard.
THESEUS
No epilogue, I pray you, for your play needs no excuse.
The iron tongue of midnight hath told twelve.
Lovers, to bed. 'Tis almost fairy time.

Narrator: Bottom’s play is over and Theseus  gets married to Hippolyta. Demetrius marries Helena. Lysander marries Hermia.

Oberon and Titania sing. Puck sings too.